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The company has never made a profit, and its losses free online dating friends network cbcapartments increased every year, although it's also true to say that its losses as a percentage of its sales have been decreasing. In the technology world, a still-young and rapidly expanding business posting losses isn't unusual, and it's norske dating appertaining define metaphor in literature to spook many investors. That's a good thing, given that as it admitted in its financial results filing Spotify may need pandora raise more money in the short-to-medium term to fund more growth, and hopefully profitability. See the recent decision of Thom Yorke and Nigel Godrich's band Atoms for Peace to remove their albums from streaming servicesand criticise them for benefiting major labels and big acts far more than new artists. The fact that Spotify is losing money may increase the tension rather than defuse it. There is history here. CBS bought online radio site Last. But in the context of ill-tempered rows about how much artists and songwriters get paid, something of a hot potato. The financial results of Spotify and Pandora pose two key questions about their business models: whether they're sustainable for music creators, and whether they're sustainable for the companies themselves. There are lively and important debates going on around whether the shift from downloads to streaming is better for big labels and artists than new talent, and the extent to which streaming cannibalises piracy rather than CD and download sales. Even so, the more users Spotify and Pandora sign up and more importantly, the more users they persuade to pay for their servicesthe more money they'll make, and the more they'll pay out to music rightsholders. Scandinavia offers some encouraging signs in this regard. It's likely to be slower than the early adopters think, but there's a consensus that it will happen. The pressure is building to ensure that streaming music's numbers add up for both artists and the digital services providing it.


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Experts have been anticipating the dominance account streaming audio older dating company nz the internet of Y2K and nu metal. Inthe first customizable online radio service, Launchcast, was introduced. Bandcampseven years before Spotify, Rhapsody was unveiled artist the first proper on-demand streaming music service. Going datingstreaming will no longer be a niche for music but the new normal. The big question is no longer whether streaming is the future, but what form that future will take, who will benefit, and what that might mean for listeners. Through June, the U. The rest of the industry has increasingly legitimized streaming as well, led by longtime holdouts the Beatles finally embracing the format late last year. Underlying all that, though, is another, even bigger question dating back to the turn of the millennium: Can the economics of streaming become sustainable? A while ago Thom Yorke and the rest of Radiohead got some attention when they pulled their recent record from Spotify. I've pulled as much of my catalogue from Spotify as I can. So, what's the deal? There are a number of ways to stream music online: Pandora is like a radio station that plays stuff you like but doesn't take requests; YouTube plays individual songs that folks and corporations have uploaded and Spotify is a music library that plays whatever you want if they have it , whenever you want it. For many music listeners, the choice is obvious — why would you ever buy a CD or pay for a download when you can stream your favourite albums and artists either for free, or for a nominal monthly charge?